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</HEAD>
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<BODY LANG="en-GB" TEXT="#000000" LINK="#0000ff" VLINK="#0000ff" DIR="LTR">
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>A Gate, </B></FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>two Birds
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</B></FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>and the
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beautiful Sky</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>-
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www.gate-birds-sky.org - </B></FONT>
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</P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><A NAME="_"></A><A HREF="#overview" TARGET="_self"><FONT FACE="Courier New">1.1
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Overview</FONT></A></P>
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<P STYLE="margin-bottom: 0.5cm"><FONT COLOR="#000000"><A HREF="#development"><FONT FACE="Courier New">1.2
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Development</FONT></A> </FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><A HREF="#participate"><FONT FACE="Courier New"><FONT COLOR="#000000">1.3
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Ways to participate</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#voiceactor"><FONT FACE="Courier New"><FONT COLOR="#000000">Voice
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over actor</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#mapper"><FONT FACE="Courier New"><FONT COLOR="#000000">Mapper</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#skinner"><FONT FACE="Courier New"><FONT COLOR="#000000">Skinner</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#scripter"><FONT FACE="Courier New"><FONT COLOR="#000000">Scripter</FONT></FONT></A></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><A HREF="#dramatis"><FONT FACE="Courier New"><FONT COLOR="#000000">2.1
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Dramatis Personae</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#maincharacters"><FONT FACE="Courier New"><FONT COLOR="#000000">Main
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Characters</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#additionalcharacters"><FONT FACE="Courier New"><FONT COLOR="#000000">Additional
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Characters</FONT></FONT></A></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><A HREF="#storyscript"><FONT FACE="Courier New"><FONT COLOR="#000000">2.2
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Story Script</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map1"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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One</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map2"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Two</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map3"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Three</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map4"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Four</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map5"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Five</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map6"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Six</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map7"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Seven</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map8"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Eight</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map9"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Nine</FONT></FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><A HREF="#map10"><FONT FACE="Courier New"><FONT COLOR="#000000">Map
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Ten</FONT></FONT></A></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.42cm"><A NAME="overview"></A> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.1
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Overview</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT COLOR="#000000"><I><FONT FACE="Courier New">A
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Gate, two Birds and the beautiful Sky</FONT></I> <FONT FACE="Courier New">is
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a modification for Ritual's <I>Elite Force II</I>. It adds an all new
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single player adventure to the game. The story centres around Illia
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Ericcson, a former agent of Section 31, the Federation's most secret
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intelligence agency. Illia's final mission proves to be her most
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dangerous one yet, as she faces impossible opposition in Romulan
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space. You can read the script containing all the dialogs, stage
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directions, etc. </FONT></FONT><A HREF="#storyscript"><FONT FACE="Courier New"><FONT COLOR="#000000">below.</FONT></FONT></A></P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">The
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development of Gate-Birds-Sky is coordinated by Stefan „Argyle“
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Hudelmaier and Lars Tiefland who brought you the award winning Elite
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Force 1 mod <A HREF="http://www.colony7.net/">Colony7.</A></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"><A NAME="development"></A> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.2
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Development</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Gate-Birds-Sky
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is developed in an unusual way for a game modification (mod). It's
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completely open source. Not only after release, but also during
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development. That means that someone interested in the mod can always
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check on the current progress and play both the maps that are already
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finished and those currently being worked on. Also, you can open the
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maps of the mod in your Radiant (Radiant is the program EF2 maps are
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created with) as they are provided by us in .map format.</FONT></P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">The
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development itself is done using CVS which stands for "Concurrent
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Versions System". This is a tool that makes sure that everyone
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working on the team has the newest versions of all the files. </FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Everyone is
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welcome to help. There is work to be done in many areas: If you have
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a good microphone, you can record the lines of one of the characters.
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If you have experience at mapping, you are more than welcome to
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create one of the mod's eleven maps. Our characters need individual
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faces and clothing, so if you are good at editing and creating
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graphics you might want to help us in that area. Music is an integral
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part of the atmosphere and the intensity of the gaming experience, so
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we are very interested in anyone willing to contribute an mp3/wav of
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his or her self created music. Programmers can find employment at
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Gate-Birds-Sky as well, because the maps have to be scripted
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(movement of NPCs, cameras, etc) using a language similar to C++.
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Even if you are neither an experienced mapper, skinner (that's
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someone who modifies or creates the faces and clothes of NPCs), a
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musician or a programmer you can help us by testing the existing maps
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for bugs, offering suggestions or packing files together for release
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versions. </FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">If
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you are interested in the development of Gate-Birds-Sky you can
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subscribe to the mailing list </FONT></FONT><A HREF="http://www.gate-birds-sky.org/cgi-bin/mailman/listinfo/gate"><FONT FACE="Courier New"><FONT COLOR="#cc6633">Address
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to subscribe</FONT></FONT></A></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.42cm"><A NAME="participate"></A> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.3 Ways
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to participate</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">As described
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in 1.2 there are many ways to participate in this project. Below is
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an overview over the different jobs, the requirements, documentations
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for it and how to send us what you created. </FONT>
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</P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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lars |
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<P STYLE="margin-bottom: 0.42cm"><A NAME="voiceactor"></A> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.3.1
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Voice over actor</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Requirements:
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</B></FONT>
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</P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Microphone</FONT></FONT></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Sound
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Recorder (is shipped with Windows) or different recording software</FONT></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT COLOR="#000000"><B><FONT FACE="Courier New">Documents:</FONT></B>
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</FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">Story
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script [</FONT></FONT><A HREF="#storyscript"><FONT FACE="Courier New"><FONT COLOR="#000000">VIEW]</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">.</FONT></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Instructions:
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</B></FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Record the
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lines of one of the characters. It's best if you put the text into
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multiple Wav or MP3 files (one for each time the character says
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something). Please use 64 kbit/s, 44 kHz Mono. If you don't know how
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to set those values, send us the lines anyway. We can convert them.</FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT COLOR="#000000"><B><FONT FACE="Courier New">How
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to send:</FONT></B> </FONT>
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</P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">Pack
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all the files into a .zip file and send it to
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</FONT></FONT><A HREF="mailto:submissions@gate-birds-sky.org?subject=%5BPlease enter name of the character you voice%5D"><FONT FACE="Courier New"><FONT COLOR="#000000">submissions@gate-birds-sky.org</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">.</FONT></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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lars |
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<P STYLE="margin-bottom: 0.42cm"><A NAME="mapper"></A> </P>
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argyle |
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.3.2
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Mapper</B></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Requirements:</B></FONT></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Elite
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Force II </FONT></FONT><A HREF="http://www.amazon.com/exec/obidos/tg/detail/-/B00006IIOL/qid=1062781693/sr=8-7/ref=sr_8_7/102-2539520-3428123?v=glance&s=videogames&n=507846" TARGET="_blank"><FONT FACE="Courier New">[BUY]</FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">GDK
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(Game Development Kit) can be downloaded from here: </FONT></FONT><A HREF="http://www.filefront.com/r.b/page__file_info/_filepath__/gamingfiles/Elite_Force_2/Official_Releases/Others/ubertools_gdk_1_0_0.exe/_output.html" TARGET="_blank"><FONT FACE="Courier New">[DOWNLOAD]</FONT></A></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
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<FONT SIZE=2><FONT FACE="Symbol">·
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</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Some
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experience with map creation.</FONT></FONT></P>
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<P STYLE="margin-bottom: 0.42cm"> </P>
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<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000"><B>Documents</B>:</FONT></FONT></P>
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<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
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<FONT SIZE=2><FONT FACE="Symbol">·
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236 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Story
|
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237 |
</FONT></FONT><A HREF="#storyscript"><FONT FACE="Courier New"><FONT COLOR="#000000">[VIEW]</FONT></FONT></A></P>
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238 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
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|
239 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
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|
240 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Tutorials
|
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|
241 |
can be found here: </FONT></FONT><A HREF="http://www.claudec.com/the_tutorial_Index/q3a/tutorials.shtml" TARGET="_blank"><FONT FACE="Courier New"><FONT COLOR="#000000">[VIEW]</FONT></FONT></A></P>
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242 |
<P STYLE="margin-bottom: 0.42cm"> </P>
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243 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000"><B>Instructions</B>:</FONT></FONT></P>
|
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|
244 |
<P STYLE="margin-bottom: 0.5cm; font-weight: medium"><FONT FACE="Courier New">You
|
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|
245 |
can either make a sample room or two using one of the settings
|
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246 |
featured in Gate-Birds-Sky (Romulan outpost, Romulan Warbird, Romulan
|
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247 |
Ruins, Excelsior class starship). If you then send us this room and
|
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|
248 |
if what you created meets our expectations, you get access to the CVS
|
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249 |
repository, so you can effectively work on one of the maps.</FONT></P>
|
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|
250 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">The
|
|
|
251 |
other possibility is to download an existing map from our CVS
|
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|
252 |
repository (web access: </FONT></FONT><A HREF="http://m6s27.vlinux.de/cgi-bin/viewcvs.cgi/base/maps/"><FONT FACE="Courier New"><FONT COLOR="#800000">Maps</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">)
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|
253 |
and improve on it by adding details, additional rooms, corridors,
|
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|
254 |
etc. Then send us the improved map together with a description on
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|
255 |
what you changed/added. </FONT></FONT>
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</P>
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|
257 |
<P STYLE="margin-bottom: 0.42cm"> </P>
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258 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>How to
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259 |
send: </B></FONT>
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260 |
</P>
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|
261 |
<P STYLE="margin-bottom: 0.5cm"><FONT COLOR="#000000"><FONT FACE="Courier New">Pack
|
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262 |
the map you created/changed into a .zip file and send it to
|
|
|
263 |
</FONT><A HREF="mailto:submissions@gate-birds-sky.org?subject=MAP"><FONT FACE="Courier New">submissions@gate-birds-sky.org</FONT></A>
|
|
|
264 |
<FONT FACE="Courier New">If you changed an existing one, don't forget
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|
265 |
to tell us what you changed or added.</FONT></FONT></P>
|
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|
266 |
<P STYLE="margin-bottom: 0.42cm"> </P>
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|
267 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
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|
268 |
<P STYLE="margin-bottom: 0.42cm"> </P>
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269 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="skinner"></A> </P>
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270 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.3.3
|
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271 |
Skinner</B></FONT></P>
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272 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
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|
273 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Requirements:</B></FONT></P>
|
|
|
274 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
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|
275 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
276 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Elite
|
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|
277 |
Force 2 </FONT></FONT><A HREF="http://www.amazon.com/exec/obidos/tg/detail/-/B00006IIOL/qid=1062781693/sr=8-7/ref=sr_8_7/102-2539520-3428123?v=glance&s=videogames&n=507846" TARGET="_blank"><FONT FACE="Courier New"><FONT COLOR="#000000">[BUY]</FONT></FONT></A></P>
|
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|
278 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
279 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
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|
280 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Image
|
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|
281 |
editing software like </FONT>Photoshop, Paintshop Pro, Gimp or
|
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|
282 |
Painter</FONT></P>
|
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|
283 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
284 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
285 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">DDS
|
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|
286 |
converter. DDS is the image format used by EF2 </FONT></FONT><A HREF="http://www.effiles.com/file.info?ID=17503" TARGET="_blank"><FONT FACE="Courier New"><FONT COLOR="#000000">[DOWNLOAD]</FONT></FONT></A></P>
|
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|
287 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
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|
288 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Documents:</B></FONT></P>
|
|
|
289 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
290 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
291 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">List of
|
|
|
292 |
characters</FONT></FONT></P>
|
|
|
293 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
294 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
295 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Tutorial
|
|
|
296 |
on skinning a head in EF2: </FONT></FONT><A HREF="http://www.ritualistic.com//forums/showflat.php?Cat=&Number=115647&page=&view=&sb=5&o=&fpart=1&vc=1"><FONT FACE="Courier New"><FONT COLOR="#000000">[VIEW]</FONT></FONT></A></P>
|
|
|
297 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
298 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Instructions:</B></FONT></P>
|
|
|
299 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">You
|
|
|
300 |
can either create a completely new skin of any of the characters
|
|
|
301 |
listed here: </FONT></FONT><A HREF="#dramatis"><FONT FACE="Courier New"><FONT COLOR="#000000">[VIEW]</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">.
|
|
|
302 |
Aside from Illia having red hair, the Captain being a Bolian and the
|
|
|
303 |
gender of the different characters, nothing is determined, so you can
|
|
|
304 |
pretty much do what you like.</FONT></FONT></P>
|
|
|
305 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
306 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Alternatively
|
|
|
307 |
you can also download an existing skin from the CVS repository and
|
|
|
308 |
improve it. </FONT>
|
|
|
309 |
</P>
|
|
|
310 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
311 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>How to
|
|
|
312 |
send:</B></FONT></P>
|
|
|
313 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">Pack
|
|
|
314 |
all the files into a zip and send it to
|
|
|
315 |
</FONT></FONT><A HREF="mailto:submissions@gate-birds-sky.org"><FONT FACE="Courier New"><FONT COLOR="#000000">submissions@gate-birds-sky.org</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">.</FONT></FONT></P>
|
|
|
316 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
317 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
318 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="scripter"></A> </P>
|
|
|
319 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>1.3.4
|
|
|
320 |
Scripter</B></FONT></P>
|
|
|
321 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
322 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Requirements:</B></FONT></P>
|
|
|
323 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
324 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
325 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Elite
|
|
|
326 |
Force 2 </FONT></FONT><A HREF="http://www.amazon.com/exec/obidos/tg/detail/-/B00006IIOL/qid=1062781693/sr=8-7/ref=sr_8_7/102-2539520-3428123?v=glance&s=videogames&n=507846" TARGET="_blank"><FONT FACE="Courier New"><FONT COLOR="#000000">[BUY]</FONT></FONT></A></P>
|
|
|
327 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
328 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
329 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">EF2 GDK
|
|
|
330 |
(Game Development Kit) </FONT></FONT><A HREF="http://www.filefront.com/r.b/page__file_info/_filepath__/gamingfiles/Elite_Force_2/Official_Releases/Others/ubertools_gdk_1_0_0.exe/_output.html" TARGET="_blank"><FONT FACE="Courier New"><FONT COLOR="#000000">[DOWNLOAD]</FONT></FONT></A></P>
|
|
|
331 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-bottom: 0.5cm">
|
|
|
332 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
333 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">A little
|
|
|
334 |
knowledge of programming</FONT></FONT></P>
|
|
|
335 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
336 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Documents:</B></FONT></P>
|
|
|
337 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Documentation
|
|
|
338 |
included in the GDK</FONT></P>
|
|
|
339 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
340 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>Instructions:</B></FONT></P>
|
|
|
341 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New">Create a
|
|
|
342 |
short scripted sequences using either one of our maps, or another
|
|
|
343 |
one. Then send us the scripts and if they're ok, you get access to
|
|
|
344 |
our CVS repository, so you can effectively work on the maps and the
|
|
|
345 |
scripts.</FONT></P>
|
|
|
346 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
347 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><B>How to
|
|
|
348 |
send:</B></FONT></P>
|
|
|
349 |
<P STYLE="margin-bottom: 0.5cm"><FONT FACE="Courier New"><FONT COLOR="#000000">Pack
|
|
|
350 |
all the files into a zip and send it to
|
|
|
351 |
</FONT></FONT><A HREF="mailto:submissions@gate-birds-sky.org"><FONT FACE="Courier New"><FONT COLOR="#000000">submissions@gate-birds-sky.org</FONT></FONT></A><FONT FACE="Courier New"><FONT COLOR="#000000">.</FONT></FONT></P>
|
|
|
352 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
353 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
354 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
355 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="dramatis"></A> </P>
|
|
|
356 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.1
|
|
|
357 |
Dramatis Personae</B></FONT></P>
|
|
|
358 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="maincharacters"></A> </P>
|
|
|
359 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.1.1
|
|
|
360 |
Main Characters</B></FONT></P>
|
|
|
361 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
362 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New">ILLIA
|
|
|
363 |
ERICCSON - Used to be a member of Section31, the Federations most
|
|
|
364 |
secret intelligence organization. After the dramatic events in the
|
|
|
365 |
Hetlek System, Illia turned her back on Thirty-One however. Due to
|
|
|
366 |
her great accomplishments for Section 31, her superiors grudgingly
|
|
|
367 |
let her go, although leaving the organization is usually impossible.
|
|
|
368 |
She now works as a bartender on the USS Atlantic, a Excelsior-class
|
|
|
369 |
Starfleet vessel. Illia has red hair.</FONT></P>
|
|
|
370 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">CHANDLER
|
|
|
371 |
STEVENS - A member of Section 31, who has a pretty high standing in
|
|
|
372 |
the obscure hierarchy of the organization.</FONT></P>
|
|
|
373 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">ALEXANDER
|
|
|
374 |
STAMMHEIM - He is also a member of Section 31. He is in charge of the
|
|
|
375 |
so called Sigma cell, of which Illia used to be part of during her
|
|
|
376 |
time with Thirty-One. During his last mission near the Romulan
|
|
|
377 |
Neutral Zone, Stammheim was abducted by the Tal'Shiar, the Romulan's
|
|
|
378 |
intelligence agency and is held captive on a Tal'Shiar outpost in the
|
|
|
379 |
Oberth system.</FONT></P>
|
|
|
380 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New">TAL'SHIR
|
|
|
381 |
COMMANDER TEBOK <B>- </B>The Commander is in charge of the Tal'Shiar
|
|
|
382 |
outpost in the Oberth System.</FONT></P>
|
|
|
383 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
384 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="additionalcharacters"></A> </P>
|
|
|
385 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.1.2
|
|
|
386 |
Additional Characters </B></FONT>
|
|
|
387 |
</P>
|
|
|
388 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
389 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">KLINGON
|
|
|
390 |
- The holographic projection of a Klingon warrior. He is part of
|
|
|
391 |
Illia's favourite holodeck training program.</FONT></P>
|
|
|
392 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">CAPTAIN
|
|
|
393 |
MANKELL - The Bolian Captain of the starship Atlantic.</FONT></P>
|
|
|
394 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">LIEUTENANT
|
|
|
395 |
ALEXANDER MUNRO - Leader of the Hazard team. For the duration of the
|
|
|
396 |
team's latest mission, Munro and a few others were stationed aboard
|
|
|
397 |
the USS Atlantic. They are currently preparing to leave the Atlantic
|
|
|
398 |
and return the Enterprise.</FONT></P>
|
|
|
399 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">ENISGN
|
|
|
400 |
JUAN MOYA - A crewman of the Atlantic. He is a member of the
|
|
|
401 |
engineering staff.</FONT></P>
|
|
|
402 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">LIEUTENANT
|
|
|
403 |
LEE WOO-JIN - A crewman of the Atlantic. He is part of the ship's
|
|
|
404 |
security force.</FONT></P>
|
|
|
405 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">COMPUTER
|
|
|
406 |
- The voice of the Atlantic's Computer.</FONT></P>
|
|
|
407 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
408 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
409 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="storyscript"></A> </P>
|
|
|
410 |
<P STYLE="margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2 Story
|
|
|
411 |
Script</B></FONT></P>
|
|
|
412 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
413 |
<P STYLE="margin-bottom: 0.1cm; font-weight: medium"><FONT FACE="Courier New">Note:
|
|
|
414 |
Every time "Narrator" appears behind Illia's name, the
|
|
|
415 |
camera cuts to her sitting before a nondescript wall. At the end of
|
|
|
416 |
the storyline it becomes clear, that she was sitting in a Romulan
|
|
|
417 |
interrogation chamber all the time. "CUTSCENE" marks the
|
|
|
418 |
beginning of an in-game cutscene, "/CUTSCENE" the end.</FONT></P>
|
|
|
419 |
<P STYLE="margin-bottom: 0.42cm"> </P>
|
|
|
420 |
<P STYLE="margin-bottom: 0.42cm"><A NAME="map1"></A><A NAME="mapone"></A>
|
|
|
421 |
</P>
|
|
|
422 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.1
|
|
|
423 |
Map One</B></FONT></P>
|
|
|
424 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
425 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
426 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
427 |
</P>
|
|
|
428 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
429 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
430 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
431 |
<FONT FACE="Courier New">Everything began quite peacefully...</FONT></P>
|
|
|
432 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
433 |
</P>
|
|
|
434 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Fade
|
|
|
435 |
out to black screen.</FONT></P>
|
|
|
436 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
437 |
</P>
|
|
|
438 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
439 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
440 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
441 |
<FONT FACE="Courier New">It was about 10 weeks ago...</FONT></P>
|
|
|
442 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
443 |
</P>
|
|
|
444 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Slow
|
| 88 |
drbob |
445 |
Fade in. Meteoroids are raining from the sky. Illia is standing on a
|
| 301 |
argyle |
446 |
castle-like structure. Below her is a very big closed gate. Illia is
|
|
|
447 |
staring hard in one direction. The camera reveals that several
|
|
|
448 |
Klingons are standing some distance away before the structure.</FONT></P>
|
|
|
449 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
450 |
</P>
|
|
|
451 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
452 |
<FONT FACE="Courier New">KLINGON</FONT></P>
|
|
|
453 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
454 |
<FONT FACE="Courier New">Surrender or die.</FONT></P>
|
|
|
455 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
456 |
</P>
|
|
|
457 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
458 |
<FONT FACE="Courier New">ILLIA </FONT>
|
|
|
459 |
</P>
|
|
|
460 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
461 |
<FONT FACE="Courier New">You'll notice that I don't</FONT></P>
|
|
|
462 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
463 |
<FONT FACE="Courier New">respond well to threats. </FONT>
|
|
|
464 |
</P>
|
|
|
465 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
466 |
</P>
|
|
|
467 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
468 |
</P>
|
|
|
469 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
470 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
471 |
</P>
|
|
|
472 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
473 |
fights the Klingons; meteoroids hit the structure she is standing on,
|
|
|
474 |
partially destroying it, Klingons beam in near her. After the last
|
|
|
475 |
Klingon has been killed:</FONT></P>
|
|
|
476 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
477 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
478 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
479 |
</P>
|
|
|
480 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
481 |
door to the holodeck opens and LIEUTENANT JUAN MOYA enters. Illia
|
|
|
482 |
looks in his direction. At the same moment a meteorite hits the
|
|
|
483 |
structure behind Illia.</FONT></P>
|
|
|
484 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
485 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
486 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
487 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
488 |
player finds himself propelled into the air and lands before the gate
|
|
|
489 |
of the structure. New Klingons beam in or appear and the fight
|
|
|
490 |
continues. Moya watches from the door blocking it so Illia can't get
|
|
|
491 |
into the corridor. Again, after the last Klingon is dead:</FONT></P>
|
|
|
492 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
493 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
494 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
495 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
496 |
approaches Moya</FONT></P>
|
|
|
497 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
498 |
</P>
|
|
|
499 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
500 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
501 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
502 |
<FONT FACE="Courier New">Computer, end program. </FONT>
|
|
|
503 |
</P>
|
|
|
504 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
505 |
</P>
|
|
|
506 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
507 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
508 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
509 |
<FONT FACE="Courier New">So that's how you spend your spare </FONT>
|
|
|
510 |
</P>
|
|
|
511 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
512 |
<FONT FACE="Courier New">time. Pretty violent.</FONT></P>
|
|
|
513 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
514 |
</P>
|
|
|
515 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
516 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
517 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
518 |
<FONT FACE="Courier New">After serving drinks to you Starfleet </FONT>
|
|
|
519 |
</P>
|
|
|
520 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
521 |
<FONT FACE="Courier New">types all day, I have to vent some steam.</FONT></P>
|
|
|
522 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
523 |
<FONT FACE="Courier New">What can I do for you?</FONT></P>
|
|
|
524 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
525 |
</P>
|
|
|
526 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
527 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
528 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
529 |
<FONT FACE="Courier New">The captain has sent me. He wants to know</FONT></P>
|
|
|
530 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
531 |
<FONT FACE="Courier New">if you still have Saurian Brandy in </FONT>
|
|
|
532 |
</P>
|
|
|
533 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
534 |
<FONT FACE="Courier New">stock for the reception tomorrow.</FONT></P>
|
|
|
535 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
536 |
</P>
|
|
|
537 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
538 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
539 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
540 |
<FONT FACE="Courier New">I'll check.</FONT></P>
|
|
|
541 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
542 |
</P>
|
|
|
543 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.
|
|
|
544 |
</FONT>
|
|
|
545 |
</P>
|
|
|
546 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
547 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
548 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
549 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
550 |
<FONT FACE="Courier New">Is there anything else?</FONT></P>
|
|
|
551 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
552 |
</P>
|
|
|
553 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
554 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
555 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
556 |
<FONT FACE="Courier New">Err, no. See you later.</FONT></P>
|
|
|
557 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
558 |
</P>
|
|
|
559 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
560 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
561 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map2"></A>
|
|
|
562 |
</P>
|
|
|
563 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.2
|
|
|
564 |
Map Two</B></FONT></P>
|
|
|
565 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
566 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Ensign
|
|
|
567 |
Moya leaves and walks to a turbolift. The holodeck is now
|
|
|
568 |
deactivated.</FONT></P>
|
|
|
569 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
570 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">New
|
|
|
571 |
Objective: Go to the bar</FONT></P>
|
|
|
572 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
573 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">On
|
|
|
574 |
the way she encounters members of the Hazard Team who walk into a
|
|
|
575 |
transporter room. The door stays open, so that the player can see
|
|
|
576 |
what's going on inside.</FONT></P>
|
|
|
577 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
578 |
</P>
|
|
|
579 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
580 |
<FONT FACE="Courier New">CAPTAIN MANKELL</FONT></P>
|
|
|
581 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
582 |
<FONT FACE="Courier New">It was a pleasure to have you </FONT>
|
|
|
583 |
</P>
|
|
|
584 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
585 |
<FONT FACE="Courier New">and your team on board, Lieutenant Munro.</FONT></P>
|
|
|
586 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
587 |
<FONT FACE="Courier New">Please give my regards to Captain </FONT>
|
|
|
588 |
</P>
|
|
|
589 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
590 |
<FONT FACE="Courier New">Picard.</FONT></P>
|
|
|
591 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
592 |
</P>
|
|
|
593 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
594 |
<FONT FACE="Courier New">MUNRO</FONT></P>
|
|
|
595 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
596 |
<FONT FACE="Courier New">Yes, Sir.</FONT></P>
|
|
|
597 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
598 |
</P>
|
|
|
599 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
600 |
Hazard Team is beamed away. Illia continues to the bar. When she
|
|
|
601 |
enters, the Enterprise can be seen through the window. As soon as
|
|
|
602 |
Illia steps behind the counter:</FONT></P>
|
|
|
603 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
604 |
</P>
|
|
|
605 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
606 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
607 |
</P>
|
|
|
608 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
609 |
kneels down and searches the counter. The camera lowers so that the
|
|
|
610 |
rest of the room cannot be seen.</FONT></P>
|
|
|
611 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
612 |
</P>
|
|
|
613 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
614 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
615 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
616 |
<FONT FACE="Courier New">Ah, yes. There are two bottles.</FONT></P>
|
|
|
617 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
618 |
<FONT FACE="Courier New">Should be enough.</FONT></P>
|
|
|
619 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
620 |
</P>
|
|
|
621 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">When
|
|
|
622 |
she stands up there suddenly is a man standing before the counter.</FONT></P>
|
|
|
623 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
624 |
</P>
|
|
|
625 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
626 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
627 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
628 |
<FONT FACE="Courier New">Miss Ericcson, we meet again.</FONT></P>
|
|
|
629 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
630 |
</P>
|
|
|
631 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
632 |
<FONT FACE="Courier New">ILLIA </FONT>
|
|
|
633 |
</P>
|
|
|
634 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
635 |
<FONT FACE="Courier New">What are you doing here? Didn't</FONT></P>
|
|
|
636 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
637 |
<FONT FACE="Courier New">they tell you? I'm not part of</FONT></P>
|
|
|
638 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
639 |
<FONT FACE="Courier New">the agency anymore.</FONT></P>
|
|
|
640 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
641 |
</P>
|
|
|
642 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
643 |
<FONT FACE="Courier New">STEVEN</FONT></P>
|
|
|
644 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
645 |
<FONT FACE="Courier New">Membership in Thirty-One lasts as </FONT>
|
|
|
646 |
</P>
|
|
|
647 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
648 |
<FONT FACE="Courier New">long as one is alive. Although, if </FONT>
|
|
|
649 |
</P>
|
|
|
650 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
651 |
<FONT FACE="Courier New">you allow me the remark, you'd be </FONT>
|
|
|
652 |
</P>
|
|
|
653 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
654 |
<FONT FACE="Courier New">neither a member nor alive anymore,</FONT></P>
|
|
|
655 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
656 |
<FONT FACE="Courier New">if I made the decisions. What you </FONT>
|
|
|
657 |
</P>
|
|
|
658 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
659 |
<FONT FACE="Courier New">did in the Hetlek system was simply</FONT></P>
|
|
|
660 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
661 |
<FONT FACE="Courier New">inexcusable.</FONT></P>
|
|
|
662 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
663 |
</P>
|
|
|
664 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
665 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
666 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
667 |
<FONT FACE="Courier New">It must be unrealistic to expect a</FONT></P>
|
|
|
668 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
669 |
<FONT FACE="Courier New">scrap of gratitude for saving </FONT>
|
|
|
670 |
</P>
|
|
|
671 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
672 |
<FONT FACE="Courier New">the Alpha Quadrant.</FONT></P>
|
|
|
673 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
674 |
</P>
|
|
|
675 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
676 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
677 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
678 |
<FONT FACE="Courier New">I would have expected that all the years</FONT></P>
|
|
|
679 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
680 |
<FONT FACE="Courier New">in Thirty-One had cured you from </FONT>
|
|
|
681 |
</P>
|
|
|
682 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
683 |
<FONT FACE="Courier New">such naivety. But enough of that:</FONT></P>
|
|
|
684 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
685 |
<FONT FACE="Courier New">We have a mission for you.</FONT></P>
|
|
|
686 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
687 |
</P>
|
|
|
688 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
689 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
690 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
691 |
<FONT FACE="Courier New">Has your paranoia progressed so far</FONT></P>
|
|
|
692 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
693 |
<FONT FACE="Courier New">in corroding your brain, Stevens?</FONT></P>
|
|
|
694 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
695 |
<FONT FACE="Courier New">No missions for me anymore.</FONT></P>
|
|
|
696 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
697 |
</P>
|
|
|
698 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
699 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
700 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
701 |
<FONT FACE="Courier New">You don't have a choice.</FONT></P>
|
|
|
702 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
703 |
</P>
|
|
|
704 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Stevens
|
|
|
705 |
touches his communicator. Illia and Stevens are transported away.</FONT></P>
|
|
|
706 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
707 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
708 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map3"></A>
|
|
|
709 |
</P>
|
|
|
710 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.3
|
|
|
711 |
Map Three</B></FONT></P>
|
|
|
712 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
713 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
714 |
and Stevens are standing in crew quarters aboard the Enterprise. The
|
|
|
715 |
Atlantic can be seen outside the windows. </FONT>
|
|
|
716 |
</P>
|
|
|
717 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
718 |
</P>
|
|
|
719 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
720 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
721 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
722 |
<FONT FACE="Courier New">May I offer you something to </FONT>
|
|
|
723 |
</P>
|
|
|
724 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
725 |
<FONT FACE="Courier New">drink, Miss Ericcson?</FONT></P>
|
|
|
726 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
727 |
</P>
|
|
|
728 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
729 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
730 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
731 |
<FONT FACE="Courier New">We are onboard the Enterprise. If </FONT>
|
|
|
732 |
</P>
|
|
|
733 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
734 |
<FONT FACE="Courier New">I were you, I'd be careful that</FONT></P>
|
|
|
735 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
736 |
<FONT FACE="Courier New">Captain Picard doesn't find out</FONT></P>
|
|
|
737 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
738 |
<FONT FACE="Courier New">that members of our esteemed </FONT>
|
|
|
739 |
</P>
|
|
|
740 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
741 |
<FONT FACE="Courier New">organization are on his ship.</FONT></P>
|
|
|
742 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
743 |
<FONT FACE="Courier New">Word is, he is on bad terms with </FONT>
|
|
|
744 |
</P>
|
|
|
745 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
746 |
<FONT FACE="Courier New">Thirty-One.</FONT></P>
|
|
|
747 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
748 |
</P>
|
|
|
749 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
750 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
751 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
752 |
<FONT FACE="Courier New">Captain Picard is the least of </FONT>
|
|
|
753 |
</P>
|
|
|
754 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
755 |
<FONT FACE="Courier New">my worries. We have a situation</FONT></P>
|
|
|
756 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
757 |
<FONT FACE="Courier New">at hand that makes your services</FONT></P>
|
|
|
758 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
759 |
<FONT FACE="Courier New">imperative. An important member </FONT>
|
|
|
760 |
</P>
|
|
|
761 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
762 |
<FONT FACE="Courier New">of our organization has fallen </FONT>
|
|
|
763 |
</P>
|
|
|
764 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
765 |
<FONT FACE="Courier New">into the hands of the Romulan secret</FONT></P>
|
|
|
766 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
767 |
<FONT FACE="Courier New">service, the Tal'Shiar.</FONT></P>
|
|
|
768 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
769 |
</P>
|
|
|
770 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
771 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
772 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
773 |
<FONT FACE="Courier New">That will not be a pleasant experience.</FONT></P>
|
|
|
774 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
775 |
</P>
|
|
|
776 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
777 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
778 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
779 |
<FONT FACE="Courier New">You don't recognize the graveness</FONT></P>
|
|
|
780 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
781 |
<FONT FACE="Courier New">of the situation. The stress is </FONT>
|
|
|
782 |
</P>
|
|
|
783 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
784 |
<FONT FACE="Courier New">on 'important member'. He knows</FONT></P>
|
|
|
785 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
786 |
<FONT FACE="Courier New">the identities of all members of</FONT></P>
|
|
|
787 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
788 |
<FONT FACE="Courier New">the Sigma Cell. More than forty</FONT></P>
|
|
|
789 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
790 |
<FONT FACE="Courier New">agents.</FONT></P>
|
|
|
791 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
792 |
</P>
|
|
|
793 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.</FONT></P>
|
|
|
794 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
795 |
</P>
|
|
|
796 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
797 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
798 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
799 |
<FONT FACE="Courier New">Including me.</FONT></P>
|
|
|
800 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
801 |
</P>
|
|
|
802 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
803 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
804 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
805 |
<FONT FACE="Courier New">Now you understand, why it's in</FONT></P>
|
|
|
806 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
807 |
<FONT FACE="Courier New">your best interest to help us.</FONT></P>
|
|
|
808 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
809 |
<FONT FACE="Courier New">If you ever hope to sleep safe</FONT></P>
|
|
|
810 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
811 |
<FONT FACE="Courier New">and sound again, without fear</FONT></P>
|
|
|
812 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
813 |
<FONT FACE="Courier New">of assassination by the Tal'Shiar,</FONT></P>
|
|
|
814 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
815 |
<FONT FACE="Courier New">you have to prevent the Romulans</FONT></P>
|
|
|
816 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
817 |
<FONT FACE="Courier New">from getting that information.</FONT></P>
|
|
|
818 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
819 |
</P>
|
|
|
820 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
821 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
822 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
823 |
<FONT FACE="Courier New">Send someone else. I'm not in</FONT></P>
|
|
|
824 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
825 |
<FONT FACE="Courier New">shape anymore.</FONT></P>
|
|
|
826 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
827 |
</P>
|
|
|
828 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
829 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
830 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
831 |
<FONT FACE="Courier New">Believe me, several agents have </FONT>
|
|
|
832 |
</P>
|
|
|
833 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
834 |
<FONT FACE="Courier New">tried. Not a single one of them </FONT>
|
|
|
835 |
</P>
|
|
|
836 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
837 |
<FONT FACE="Courier New">even reached the system where </FONT>
|
|
|
838 |
</P>
|
|
|
839 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
840 |
<FONT FACE="Courier New">he's being held captive. I don't</FONT></P>
|
|
|
841 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
842 |
<FONT FACE="Courier New">like to say this, but you are our</FONT></P>
|
|
|
843 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
844 |
<FONT FACE="Courier New">last hope to retain this </FONT>
|
|
|
845 |
</P>
|
|
|
846 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
847 |
<FONT FACE="Courier New">information. The plan: Borrow one</FONT></P>
|
|
|
848 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
849 |
<FONT FACE="Courier New">of Atlantic's shuttles and fly to </FONT>
|
|
|
850 |
</P>
|
|
|
851 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
852 |
<FONT FACE="Courier New">the Neutral Zone.</FONT></P>
|
|
|
853 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
854 |
</P>
|
|
|
855 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
856 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
857 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
858 |
<FONT FACE="Courier New">Captain Mankell won’t just let me</FONT></P>
|
|
|
859 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
860 |
<FONT FACE="Courier New">fly away with one of his shuttles.</FONT></P>
|
|
|
861 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
862 |
</P>
|
|
|
863 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
864 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
865 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
866 |
<FONT FACE="Courier New">Then you'll have to deactivate the</FONT></P>
|
|
|
867 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
868 |
<FONT FACE="Courier New">Atlantic's Warp engines first. </FONT>
|
|
|
869 |
</P>
|
|
|
870 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
871 |
<FONT FACE="Courier New">Please, Ms. Ericcson, you're no </FONT>
|
|
|
872 |
</P>
|
|
|
873 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
874 |
<FONT FACE="Courier New">amateur after all.</FONT></P>
|
|
|
875 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
876 |
</P>
|
|
|
877 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
878 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
879 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
880 |
<FONT FACE="Courier New">And how am I to get through the </FONT>
|
|
|
881 |
</P>
|
|
|
882 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
883 |
<FONT FACE="Courier New">Neutral Zone in a Starfleet shuttle? </FONT>
|
|
|
884 |
</P>
|
|
|
885 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
886 |
<FONT FACE="Courier New">To say nothing of Romulan Space </FONT>
|
|
|
887 |
</P>
|
|
|
888 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
889 |
<FONT FACE="Courier New">itself...</FONT></P>
|
|
|
890 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
891 |
</P>
|
|
|
892 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
893 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
894 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
895 |
<FONT FACE="Courier New">Fly to the Antioch System on the </FONT>
|
|
|
896 |
</P>
|
|
|
897 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
898 |
<FONT FACE="Courier New">border of the Neutral Zone. A vessel </FONT>
|
|
|
899 |
</P>
|
|
|
900 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
901 |
<FONT FACE="Courier New">is waiting for you there. It will </FONT>
|
|
|
902 |
</P>
|
|
|
903 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
904 |
<FONT FACE="Courier New">take you to the third planet in the </FONT>
|
|
|
905 |
</P>
|
|
|
906 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
907 |
<FONT FACE="Courier New">Oberth System, where our man is </FONT>
|
|
|
908 |
</P>
|
|
|
909 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
910 |
<FONT FACE="Courier New">being held captive. If you can save </FONT>
|
|
|
911 |
</P>
|
|
|
912 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
913 |
<FONT FACE="Courier New">him: Great. But I'd also consider </FONT>
|
|
|
914 |
</P>
|
|
|
915 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
916 |
<FONT FACE="Courier New">the mission a success, if he </FONT>
|
|
|
917 |
</P>
|
|
|
918 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
919 |
<FONT FACE="Courier New">wasn’t able to pass his </FONT>
|
|
|
920 |
</P>
|
|
|
921 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
922 |
<FONT FACE="Courier New">knowledge to the Romulans anymore. </FONT>
|
|
|
923 |
</P>
|
|
|
924 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
925 |
<FONT FACE="Courier New">I'm sure you understand.</FONT></P>
|
|
|
926 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
927 |
</P>
|
|
|
928 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
929 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
930 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
931 |
<FONT FACE="Courier New">Only too well.</FONT></P>
|
|
|
932 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
933 |
</P>
|
|
|
934 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
935 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
936 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
937 |
<FONT FACE="Courier New">Good luck then, Ms. Ericcson.</FONT></P>
|
|
|
938 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
939 |
</P>
|
|
|
940 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
941 |
is beamed back to the bar. Through the window it can be seen that the
|
|
|
942 |
Enterprise changes course and disappears in Warp. </FONT>
|
|
|
943 |
</P>
|
|
|
944 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
945 |
</P>
|
|
|
946 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
947 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
948 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
949 |
<FONT FACE="Courier New">Stevens was gone, I was on my own.</FONT></P>
|
|
|
950 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
951 |
<FONT FACE="Courier New">My plan was simple. Get into </FONT>
|
|
|
952 |
</P>
|
|
|
953 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
954 |
<FONT FACE="Courier New">engineering, sabotage the </FONT>
|
|
|
955 |
</P>
|
|
|
956 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
957 |
<FONT FACE="Courier New">engines and escape with a shuttle.</FONT></P>
|
|
|
958 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
959 |
</P>
|
|
|
960 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
961 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
962 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Mission
|
|
|
963 |
Objective:</FONT></P>
|
|
|
964 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
965 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
966 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Find a
|
|
|
967 |
way into engineering</FONT></FONT></P>
|
|
|
968 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
969 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
970 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Sabotage
|
|
|
971 |
engines</FONT></FONT></P>
|
|
|
972 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
973 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
974 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Steal
|
|
|
975 |
Shuttle</FONT></FONT></P>
|
|
|
976 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
977 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
978 |
player has to take a turbolift to the deck that engineering is
|
|
|
979 |
located on. There's a corridor that leads past engineering. If Illia
|
|
|
980 |
tries to step through the door into engineering, Juan Moya walks
|
|
|
981 |
towards her:</FONT></P>
|
|
|
982 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
983 |
</P>
|
|
|
984 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
985 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
986 |
</P>
|
|
|
987 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
988 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
989 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
990 |
<FONT FACE="Courier New">I'm sorry, Ms. Ericcson. Only </FONT>
|
|
|
991 |
</P>
|
|
|
992 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
993 |
<FONT FACE="Courier New">authorized personnel may enter </FONT>
|
|
|
994 |
</P>
|
|
|
995 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
996 |
<FONT FACE="Courier New">engineering.</FONT></P>
|
|
|
997 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
998 |
</P>
|
|
|
999 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1000 |
turns around and exits engineering again. The player takes control.
|
|
|
1001 |
If the player goes through the door again, the cutscene is repeated.</FONT></P>
|
|
|
1002 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1003 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1004 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1005 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">If
|
|
|
1006 |
Illia continues walking down the corridor past engineering, she finds
|
|
|
1007 |
an access to a Jeffries tube, perhaps inside a small cargo bay. The
|
|
|
1008 |
tube leads to a small room adjacent to engineering. A locked door
|
|
|
1009 |
connects the small room to the main one.</FONT></P>
|
|
|
1010 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1011 |
</P>
|
|
|
1012 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1013 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1014 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1015 |
<FONT FACE="Courier New">Main computer control. Perfect...</FONT></P>
|
|
|
1016 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1017 |
</P>
|
|
|
1018 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1019 |
</P>
|
|
|
1020 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1021 |
sabotages one of the consoles using the Tricorder. It takes a few
|
|
|
1022 |
seconds, progress is shown by the 'modulating' bar.</FONT></P>
|
|
|
1023 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1024 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1025 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1026 |
</P>
|
|
|
1027 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1028 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1029 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1030 |
<FONT FACE="Courier New">Sabotaging the Atlantic was no big </FONT>
|
|
|
1031 |
</P>
|
|
|
1032 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1033 |
<FONT FACE="Courier New">deal. I inserted a virus into the </FONT>
|
|
|
1034 |
</P>
|
|
|
1035 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1036 |
<FONT FACE="Courier New">main computer that was to stop </FONT>
|
|
|
1037 |
</P>
|
|
|
1038 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1039 |
<FONT FACE="Courier New">every attempt at entering warp for</FONT></P>
|
|
|
1040 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1041 |
<FONT FACE="Courier New">the next few days. When I was </FONT>
|
|
|
1042 |
</P>
|
|
|
1043 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1044 |
<FONT FACE="Courier New">finished with my small manipulation, </FONT>
|
|
|
1045 |
</P>
|
|
|
1046 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1047 |
<FONT FACE="Courier New">things began to take a turn for</FONT></P>
|
|
|
1048 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1049 |
<FONT FACE="Courier New">the worse...</FONT></P>
|
|
|
1050 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1051 |
</P>
|
|
|
1052 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1053 |
</P>
|
|
|
1054 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1055 |
door opens, Moya is standing in it. He blocks the way into
|
|
|
1056 |
engineering. </FONT>
|
|
|
1057 |
</P>
|
|
|
1058 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1059 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">In
|
|
|
1060 |
an astonished voice:</FONT></P>
|
|
|
1061 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1062 |
</P>
|
|
|
1063 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1064 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
1065 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1066 |
<FONT FACE="Courier New">Ms. Ericcson? What are you doing?</FONT></P>
|
|
|
1067 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1068 |
</P>
|
|
|
1069 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1070 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1071 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Moya
|
|
|
1072 |
pushes his communicator</FONT></P>
|
|
|
1073 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1074 |
</P>
|
|
|
1075 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1076 |
<FONT FACE="Courier New">MOYA</FONT></P>
|
|
|
1077 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1078 |
<FONT FACE="Courier New">I need a security team in</FONT></P>
|
|
|
1079 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1080 |
<FONT FACE="Courier New">engineering.</FONT></P>
|
|
|
1081 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1082 |
</P>
|
|
|
1083 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1084 |
</P>
|
|
|
1085 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1086 |
is forced to escape through the Jeffries tube, because Moya blocks
|
|
|
1087 |
the door. When she steps back into the corridor, three members of
|
|
|
1088 |
security are approaching engineering from the direction of the
|
|
|
1089 |
turbolift. They stop before engineering and block the corridor so
|
|
|
1090 |
that Illia can't get past them and she can neither get to the
|
|
|
1091 |
turbolift nor into engineering again. The Jeffries tube is locked.
|
|
|
1092 |
Lieutenant Lee Woo-Jin is leading the security detail.</FONT></P>
|
|
|
1093 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1094 |
</P>
|
|
|
1095 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1096 |
<FONT FACE="Courier New">LEE WOO-JIN</FONT></P>
|
|
|
1097 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1098 |
<FONT FACE="Courier New">Stop or we'll be forced to shoot!</FONT></P>
|
|
|
1099 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1100 |
</P>
|
|
|
1101 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1102 |
can only run in the opposite direction (away from the security
|
|
|
1103 |
detail). After she has reached a certain point, the Starfleet types
|
|
|
1104 |
begin firing. Illia runs around a corner through a door and enters a
|
|
|
1105 |
Jeffries control room. The only way of escape is a ladder leading
|
|
|
1106 |
upwards. After she has climbed one or two decks, Woo-Jin appears at
|
|
|
1107 |
the bottom of the ladder and opens fire. When Illia cannot climb
|
|
|
1108 |
upwards anymore, she finds an open door. After going through it and
|
|
|
1109 |
walking down the following corridor Illia is trapped by force fields
|
|
|
1110 |
appearing both before and behind her.</FONT></P>
|
|
|
1111 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1112 |
</P>
|
|
|
1113 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1114 |
<FONT FACE="Courier New">COMPUTER</FONT></P>
|
|
|
1115 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1116 |
<FONT FACE="Courier New">Intruder has been detained on</FONT></P>
|
|
|
1117 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1118 |
<FONT FACE="Courier New">Deck 2. Using anaesthetic gas.</FONT></P>
|
|
|
1119 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1120 |
</P>
|
|
|
1121 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Gas
|
|
|
1122 |
is escaping from numerous points. It can't be stopped like in EF2,
|
|
|
1123 |
because the player has no weapon. In the area of the corridor she is
|
|
|
1124 |
trapped in, there's an energy conduit however, which can be
|
|
|
1125 |
overloaded using the Tricorder and the wave-form functionality. After
|
|
|
1126 |
the riddle has been solved the conduit begins to pulsate more
|
|
|
1127 |
frequently and emit a sound with rising frequency. After a few
|
|
|
1128 |
seconds the conduit blows and creates a hole in the wall. The harming
|
|
|
1129 |
effects of the gas decreases. Illia crouches through the hole into a
|
|
|
1130 |
room and into another corridor. Soon after she enters a room with
|
|
|
1131 |
space suits.</FONT></P>
|
|
|
1132 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1133 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1134 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1135 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1136 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1137 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1138 |
<FONT FACE="Courier New">I had to get to cargo bay 3</FONT></P>
|
|
|
1139 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1140 |
<FONT FACE="Courier New">which was located on the </FONT>
|
|
|
1141 |
</P>
|
|
|
1142 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1143 |
<FONT FACE="Courier New">other side of the deck. </FONT>
|
|
|
1144 |
</P>
|
|
|
1145 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1146 |
<FONT FACE="Courier New">The way with the least </FONT>
|
|
|
1147 |
</P>
|
|
|
1148 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1149 |
<FONT FACE="Courier New">resistance lead through</FONT></P>
|
|
|
1150 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1151 |
<FONT FACE="Courier New">the void.</FONT></P>
|
|
|
1152 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1153 |
</P>
|
|
|
1154 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1155 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map4"></A>
|
|
|
1156 |
</P>
|
|
|
1157 |
<OL START=2>
|
|
|
1158 |
<OL START=2>
|
|
|
1159 |
<OL START=4>
|
|
|
1160 |
<LI><P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>Map
|
|
|
1161 |
Four</B></FONT></P>
|
|
|
1162 |
</OL>
|
|
|
1163 |
</OL>
|
|
|
1164 |
</OL>
|
|
|
1165 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm; font-weight: medium">
|
|
|
1166 |
<FONT FACE="Courier New">Map Four will most likely not be realized,
|
|
|
1167 |
the cargo room being replaced by a lab that follows the force field
|
|
|
1168 |
in map4.</FONT></P>
|
|
|
1169 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1170 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1171 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1172 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1173 |
now wears a space suit.</FONT></P>
|
|
|
1174 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1175 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1176 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1177 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">After
|
|
|
1178 |
a short walk on the hull of the ship during which members of
|
|
|
1179 |
Starfleet in space suits show up and start firing on Illia again,
|
|
|
1180 |
Illia enters the ship again through a similar room she exited it
|
|
|
1181 |
from. </FONT>
|
|
|
1182 |
</P>
|
|
|
1183 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1184 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1185 |
corridor on both sides is blocked by force fields. Illia walks
|
|
|
1186 |
through a cargo room door. There she uses a console next to the cargo
|
|
|
1187 |
transporter. Immediately the door to the cargo room opens again and
|
|
|
1188 |
three members of security appear and open fire. As soon as Illia
|
|
|
1189 |
steps on the transporter platform she is beamed away.</FONT></P>
|
|
|
1190 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1191 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1192 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1193 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map5"></A>
|
|
|
1194 |
</P>
|
|
|
1195 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.5
|
|
|
1196 |
Map Five</B></FONT></P>
|
|
|
1197 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1198 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1199 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1200 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1201 |
rematerializes inside a shuttle. She walks to a console and types for
|
|
|
1202 |
a short time.</FONT></P>
|
|
|
1203 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1204 |
</P>
|
|
|
1205 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1206 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1207 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1208 |
<FONT FACE="Courier New">Damn!</FONT></P>
|
|
|
1209 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1210 |
</P>
|
|
|
1211 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1212 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1213 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1214 |
<FONT FACE="Courier New">I found out that it was </FONT>
|
|
|
1215 |
</P>
|
|
|
1216 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1217 |
<FONT FACE="Courier New">impossible to open the cargo </FONT>
|
|
|
1218 |
</P>
|
|
|
1219 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1220 |
<FONT FACE="Courier New">bay doors from inside the</FONT></P>
|
|
|
1221 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1222 |
<FONT FACE="Courier New">shuttle. I had to go the</FONT></P>
|
|
|
1223 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1224 |
<FONT FACE="Courier New">main control console.</FONT></P>
|
|
|
1225 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1226 |
</P>
|
|
|
1227 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1228 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1229 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">After
|
|
|
1230 |
Illia leaves the shuttle its door closes. Then Illia climbs the
|
|
|
1231 |
ladder to the command 'balcony' of the shuttle ramp. When she presses
|
|
|
1232 |
the console located on the biggest console there:</FONT></P>
|
|
|
1233 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1234 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1235 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1236 |
doors of the shuttle bay open. Illia looks around.</FONT></P>
|
|
|
1237 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1238 |
</P>
|
|
|
1239 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1240 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1241 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1242 |
<FONT FACE="Courier New">Goodbye, Atlantic.</FONT></P>
|
|
|
1243 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1244 |
</P>
|
|
|
1245 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Suddenly
|
|
|
1246 |
three securities including Woo-Jin materialize between Illia and the
|
|
|
1247 |
ladder down.</FONT></P>
|
|
|
1248 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1249 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE
|
|
|
1250 |
</FONT>
|
|
|
1251 |
</P>
|
|
|
1252 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1253 |
</P>
|
|
|
1254 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1255 |
<FONT FACE="Courier New">LEE WOO-JIN</FONT></P>
|
|
|
1256 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1257 |
<FONT FACE="Courier New">Don't move! The game is over.</FONT></P>
|
|
|
1258 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1259 |
</P>
|
|
|
1260 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1261 |
only choice the player / Illia has is to jump over the railing to the
|
|
|
1262 |
main level of the shuttle bay. As soon as she does that the
|
|
|
1263 |
securities position themselves along the balcony and start shooting.
|
|
|
1264 |
Illia now has to open the door of the shuttle again and enter it.</FONT></P>
|
|
|
1265 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1266 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1267 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1268 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Shuttle
|
|
|
1269 |
starts, turns and flies through the shuttle bay doors, that already
|
|
|
1270 |
start to close again. The shuttle flies away from the Atlantic and
|
|
|
1271 |
goes to warp. The Atlantic turns and suddenly there is lightning
|
|
|
1272 |
around the warp nacelles. Cut to engineering:</FONT></P>
|
|
|
1273 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><BR><BR>
|
|
|
1274 |
</P>
|
|
|
1275 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1276 |
<FONT COLOR="#800000"><FONT FACE="Courier New">MOYA</FONT></FONT></P>
|
|
|
1277 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1278 |
<FONT COLOR="#800000"><FONT FACE="Courier New">Moya to Bridge. Ms.
|
|
|
1279 |
Ericcson </FONT></FONT>
|
|
|
1280 |
</P>
|
|
|
1281 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1282 |
<FONT COLOR="#800000"><FONT FACE="Courier New">has damaged the warp
|
|
|
1283 |
core more </FONT></FONT>
|
|
|
1284 |
</P>
|
|
|
1285 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1286 |
<FONT COLOR="#800000"><FONT FACE="Courier New">severely than we
|
|
|
1287 |
thought.</FONT></FONT></P>
|
|
|
1288 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1289 |
<FONT COLOR="#800000"><FONT FACE="Courier New">We're dead in the
|
|
|
1290 |
water.</FONT></FONT></P>
|
|
|
1291 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><BR><BR>
|
|
|
1292 |
</P>
|
|
|
1293 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1294 |
</P>
|
|
|
1295 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1296 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1297 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1298 |
<FONT FACE="Courier New">I was en route. The voyage</FONT></P>
|
|
|
1299 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1300 |
<FONT FACE="Courier New">to the Antioch system was</FONT></P>
|
|
|
1301 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1302 |
<FONT FACE="Courier New">pretty short and completely</FONT></P>
|
|
|
1303 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1304 |
<FONT FACE="Courier New">uneventful. Quite a surprise</FONT></P>
|
|
|
1305 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1306 |
<FONT FACE="Courier New">was waiting for me there </FONT>
|
|
|
1307 |
</P>
|
|
|
1308 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1309 |
<FONT FACE="Courier New">however. Between Antioch 2</FONT></P>
|
|
|
1310 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1311 |
<FONT FACE="Courier New">and 3 a ship was drifting...</FONT></P>
|
|
|
1312 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1313 |
</P>
|
|
|
1314 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1315 |
</P>
|
|
|
1316 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Inside
|
|
|
1317 |
the shuttle:</FONT></P>
|
|
|
1318 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1319 |
</P>
|
|
|
1320 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1321 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1322 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1323 |
<FONT FACE="Courier New">Computer, please repeat.</FONT></P>
|
|
|
1324 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1325 |
</P>
|
|
|
1326 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1327 |
<FONT FACE="Courier New">COMPUTER</FONT></P>
|
|
|
1328 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1329 |
<FONT FACE="Courier New">Vehicle identified as a Romulan </FONT>
|
|
|
1330 |
</P>
|
|
|
1331 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
| 385 |
lars |
1332 |
<FONT FACE="Courier New">Warbird. Scans show</FONT></P>
|
| 301 |
argyle |
1333 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1334 |
<FONT FACE="Courier New">no power usage.</FONT></P>
|
|
|
1335 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1336 |
</P>
|
|
|
1337 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.
|
|
|
1338 |
</FONT>
|
|
|
1339 |
</P>
|
|
|
1340 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1341 |
</P>
|
|
|
1342 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1343 |
<FONT FACE="Courier New">COMPUTER</FONT></P>
|
|
|
1344 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1345 |
<FONT FACE="Courier New">Incoming transmission. </FONT>
|
|
|
1346 |
</P>
|
|
|
1347 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1348 |
</P>
|
|
|
1349 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1350 |
turns in her chair.</FONT></P>
|
|
|
1351 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1352 |
</P>
|
|
|
1353 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1354 |
<FONT FACE="Courier New">ILLIA </FONT>
|
|
|
1355 |
</P>
|
|
|
1356 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1357 |
<FONT FACE="Courier New">On screen.</FONT></P>
|
|
|
1358 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1359 |
</P>
|
|
|
1360 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">C.
|
|
|
1361 |
Stevens appears on a screen on the right of the main window of the
|
|
|
1362 |
shuttle.</FONT></P>
|
|
|
1363 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1364 |
</P>
|
|
|
1365 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1366 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
1367 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1368 |
<FONT FACE="Courier New">Good day, Miss Ericcson. This </FONT>
|
|
|
1369 |
</P>
|
|
|
1370 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1371 |
<FONT FACE="Courier New">is a recorded message of </FONT>
|
|
|
1372 |
</P>
|
|
|
1373 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1374 |
<FONT FACE="Courier New">course. I hope you like your </FONT>
|
|
|
1375 |
</P>
|
|
|
1376 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1377 |
<FONT FACE="Courier New">new vehicle. We have lured the </FONT>
|
|
|
1378 |
</P>
|
|
|
1379 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1380 |
<FONT FACE="Courier New">Warbird here using a false</FONT></P>
|
|
|
1381 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1382 |
<FONT FACE="Courier New">emergency signal from a </FONT>
|
|
|
1383 |
</P>
|
|
|
1384 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1385 |
<FONT FACE="Courier New">Romulan cargo ship. Instead </FONT>
|
|
|
1386 |
</P>
|
|
|
1387 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1388 |
<FONT FACE="Courier New">of the ship the Romulan were</FONT></P>
|
|
|
1389 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1390 |
<FONT FACE="Courier New">facing the newest biological </FONT>
|
|
|
1391 |
</P>
|
|
|
1392 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1393 |
<FONT FACE="Courier New">weapon in the arsenal of </FONT>
|
|
|
1394 |
</P>
|
|
|
1395 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1396 |
<FONT FACE="Courier New">Section 31. Supplied by the </FONT>
|
|
|
1397 |
</P>
|
|
|
1398 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1399 |
<FONT FACE="Courier New">Enterprise herself from the </FONT>
|
|
|
1400 |
</P>
|
|
|
1401 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1402 |
<FONT FACE="Courier New">Attrexian sector. The </FONT>
|
|
|
1403 |
</P>
|
|
|
1404 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1405 |
<FONT FACE="Courier New">'Exomorphs' as they are </FONT>
|
|
|
1406 |
</P>
|
|
|
1407 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1408 |
<FONT FACE="Courier New">called will dispose of </FONT>
|
|
|
1409 |
</P>
|
|
|
1410 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1411 |
<FONT FACE="Courier New">themselves after they are </FONT>
|
|
|
1412 |
</P>
|
|
|
1413 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1414 |
<FONT FACE="Courier New">finished with the Romulans, </FONT>
|
|
|
1415 |
</P>
|
|
|
1416 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1417 |
<FONT FACE="Courier New">but as we haven't done </FONT>
|
|
|
1418 |
</P>
|
|
|
1419 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1420 |
<FONT FACE="Courier New">extensive tests yet, it's </FONT>
|
|
|
1421 |
</P>
|
|
|
1422 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1423 |
<FONT FACE="Courier New">entirely possible that the </FONT>
|
|
|
1424 |
</P>
|
|
|
1425 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1426 |
<FONT FACE="Courier New">conditioning didn't work on </FONT>
|
|
|
1427 |
</P>
|
|
|
1428 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1429 |
<FONT FACE="Courier New">all of them. So expect some</FONT></P>
|
|
|
1430 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1431 |
<FONT FACE="Courier New">residual Exomorph activity on</FONT></P>
|
|
|
1432 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1433 |
<FONT FACE="Courier New">the ship.</FONT></P>
|
|
|
1434 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1435 |
</P>
|
|
|
1436 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Stevens
|
|
|
1437 |
disappears from the screen. The camera is pointed on Illia again.</FONT></P>
|
|
|
1438 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1439 |
</P>
|
|
|
1440 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1441 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1442 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1443 |
</P>
|
|
|
1444 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1445 |
<FONT FACE="Courier New">Computer, beam me to the </FONT>
|
|
|
1446 |
</P>
|
|
|
1447 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1448 |
<FONT FACE="Courier New">bridge of the Warbird.</FONT></P>
|
|
|
1449 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1450 |
</P>
|
|
|
1451 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1452 |
<FONT FACE="Courier New">COMPUTER</FONT></P>
|
|
|
1453 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1454 |
<FONT FACE="Courier New">Not possible, the shields of </FONT>
|
|
|
1455 |
</P>
|
|
|
1456 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1457 |
<FONT FACE="Courier New">the Warbirds are partially</FONT></P>
|
|
|
1458 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1459 |
<FONT FACE="Courier New">activated.</FONT></P>
|
|
|
1460 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1461 |
</P>
|
|
|
1462 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1463 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1464 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1465 |
</P>
|
|
|
1466 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1467 |
<FONT FACE="Courier New">Fine, then. Beam me as near</FONT></P>
|
|
|
1468 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1469 |
<FONT FACE="Courier New">to the bridge as possible.</FONT></P>
|
|
|
1470 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1471 |
</P>
|
|
|
1472 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1473 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1474 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map6"></A>
|
|
|
1475 |
</P>
|
|
|
1476 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.6
|
|
|
1477 |
Map Six</B></FONT></P>
|
|
|
1478 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1479 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Mission
|
|
|
1480 |
Objective: Go to the bridge of the Warbird.</FONT></P>
|
|
|
1481 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1482 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1483 |
has to fight several Exomorphs on the way to the bridge. At numerous
|
|
|
1484 |
points she finds Romulan bodies. Once she has reached the bridge
|
|
|
1485 |
there is an intense fight with several waves of Exomorphs. When Illia
|
|
|
1486 |
has won:</FONT></P>
|
|
|
1487 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1488 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1489 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1490 |
</P>
|
|
|
1491 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1492 |
walks to a console.</FONT></P>
|
|
|
1493 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1494 |
</P>
|
|
|
1495 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1496 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1497 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1498 |
<FONT FACE="Courier New">I had my doubts about whether </FONT>
|
|
|
1499 |
</P>
|
|
|
1500 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1501 |
<FONT FACE="Courier New">or not the ship would blow </FONT>
|
|
|
1502 |
</P>
|
|
|
1503 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1504 |
<FONT FACE="Courier New">when I switched on the </FONT>
|
|
|
1505 |
</P>
|
|
|
1506 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1507 |
<FONT FACE="Courier New">singularity drive.</FONT></P>
|
|
|
1508 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1509 |
</P>
|
|
|
1510 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Back
|
|
|
1511 |
on the bridge:</FONT></P>
|
|
|
1512 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1513 |
</P>
|
|
|
1514 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1515 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1516 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1517 |
<FONT FACE="Courier New">The proof of the pudding</FONT></P>
|
|
|
1518 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1519 |
<FONT FACE="Courier New">is in the eating.</FONT></P>
|
|
|
1520 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1521 |
</P>
|
|
|
1522 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1523 |
pushes a few buttons on the console. The ship powers up (hinted at
|
|
|
1524 |
visually and with sound)</FONT></P>
|
|
|
1525 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1526 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1527 |
Warbird turns and disappears in Warp.</FONT></P>
|
|
|
1528 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1529 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1530 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1531 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map7"></A>
|
|
|
1532 |
</P>
|
|
|
1533 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.7
|
|
|
1534 |
Map Seven</B></FONT></P>
|
|
|
1535 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1536 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Camera
|
|
|
1537 |
hovers in space. Text appears: "Oberth System". Warbirds
|
|
|
1538 |
warps in. The camera follows the Warbird and it becomes evident that
|
|
|
1539 |
it flies towards a planet.</FONT></P>
|
|
|
1540 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1541 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1542 |
is sitting at a console. On the main viewscreen Tal'Shiar Commander
|
|
|
1543 |
Tebok appears.</FONT></P>
|
|
|
1544 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1545 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1546 |
<FONT FACE="Courier New">TEBOK</FONT></P>
|
|
|
1547 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1548 |
<FONT FACE="Courier New">You are approaching a facility </FONT>
|
|
|
1549 |
</P>
|
|
|
1550 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1551 |
<FONT FACE="Courier New">of the Tal'Shiar. The military has</FONT></P>
|
|
|
1552 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1553 |
<FONT FACE="Courier New">no authority here. Turn your ship</FONT></P>
|
|
|
1554 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1555 |
<FONT FACE="Courier New">around immediately or you can </FONT>
|
|
|
1556 |
</P>
|
|
|
1557 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1558 |
<FONT FACE="Courier New">count yourself lucky if you </FONT>
|
|
|
1559 |
</P>
|
|
|
1560 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1561 |
<FONT FACE="Courier New">only loose your command.</FONT></P>
|
|
|
1562 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1563 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Tebok
|
|
|
1564 |
disappears from the screen, the planet can be seen</FONT></P>
|
|
|
1565 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1566 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1567 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1568 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1569 |
<FONT FACE="Courier New">He's already angry, and I haven't</FONT></P>
|
|
|
1570 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1571 |
<FONT FACE="Courier New">even started yet. </FONT>
|
|
|
1572 |
</P>
|
|
|
1573 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1574 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1575 |
pushes a button. The Warbird fires its disrupters. </FONT>
|
|
|
1576 |
</P>
|
|
|
1577 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1578 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Romulan
|
|
|
1579 |
structures on the planet are seen, a few soldiers are seen walking
|
|
|
1580 |
past the camera. Then the Disrupters projectiles fall from the sky.
|
|
|
1581 |
Two or three hit the ground some distance away. Explosions. Then
|
|
|
1582 |
several explode in the vicinity of the camera. The screen becomes
|
|
|
1583 |
white. Cut.</FONT></P>
|
|
|
1584 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1585 |
</P>
|
|
|
1586 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1587 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1588 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1589 |
<FONT FACE="Courier New">In my opinion the best solution </FONT>
|
|
|
1590 |
</P>
|
|
|
1591 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1592 |
<FONT FACE="Courier New">was to destroy the outpost together </FONT>
|
|
|
1593 |
</P>
|
|
|
1594 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1595 |
<FONT FACE="Courier New">with the prisoner from orbit. But </FONT>
|
|
|
1596 |
</P>
|
|
|
1597 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1598 |
<FONT FACE="Courier New">that would have required minutes of </FONT>
|
|
|
1599 |
</P>
|
|
|
1600 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1601 |
<FONT FACE="Courier New">sustained fire. Minutes I wasn't </FONT>
|
|
|
1602 |
</P>
|
|
|
1603 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1604 |
<FONT FACE="Courier New">going to get...</FONT></P>
|
|
|
1605 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1606 |
</P>
|
|
|
1607 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Another
|
|
|
1608 |
Warbirds de-cloaks and immediately begins to fire on Illia's.</FONT></P>
|
|
|
1609 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1610 |
</P>
|
|
|
1611 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1612 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1613 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1614 |
<FONT FACE="Courier New">I shouldn't have been surprised.</FONT></P>
|
|
|
1615 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1616 |
</P>
|
|
|
1617 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1618 |
camera shows Illia sitting on the bridge. Several consoles explode.</FONT></P>
|
|
|
1619 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1620 |
</P>
|
|
|
1621 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1622 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1623 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1624 |
<FONT FACE="Courier New">A Warbird of the Tal'Shiar.</FONT></P>
|
|
|
1625 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1626 |
<FONT FACE="Courier New">There was only one option:</FONT></P>
|
|
|
1627 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1628 |
<FONT FACE="Courier New">Collision.</FONT></P>
|
|
|
1629 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1630 |
</P>
|
|
|
1631 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1632 |
continues to use the consoles. More explosions. The camera shows
|
|
|
1633 |
Illia's Warbird from behind. It becomes evident that the Warbird
|
|
|
1634 |
flies away from the camera. Some distance away the Tal'Shiar Warbirds
|
|
|
1635 |
can be seen. </FONT>
|
|
|
1636 |
</P>
|
|
|
1637 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1638 |
</P>
|
|
|
1639 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1640 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1641 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">If
|
|
|
1642 |
possible the enemy Warbird should be getting bigger on the view
|
|
|
1643 |
screen as the distance decreases. </FONT>
|
|
|
1644 |
</P>
|
|
|
1645 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1646 |
</P>
|
|
|
1647 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1648 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1649 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1650 |
<FONT FACE="Courier New">I have maybe two minutes to </FONT>
|
|
|
1651 |
</P>
|
|
|
1652 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1653 |
<FONT FACE="Courier New">reach the transporter room </FONT>
|
|
|
1654 |
</P>
|
|
|
1655 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1656 |
<FONT FACE="Courier New">and escape to the planet.</FONT></P>
|
|
|
1657 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1658 |
</P>
|
|
|
1659 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1660 |
has to run through the dying Warbird. Explosions are everywhere,
|
|
|
1661 |
beams are falling, holes are appearing in the floor, etc. At some
|
|
|
1662 |
point gravity disappears. In the transporter room, right before the
|
|
|
1663 |
beaming process starts, the energy conduits explode. </FONT>
|
|
|
1664 |
</P>
|
|
|
1665 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1666 |
</P>
|
|
|
1667 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1668 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1669 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1670 |
<FONT FACE="Courier New">I have to reroute energy</FONT></P>
|
|
|
1671 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1672 |
<FONT FACE="Courier New">with my tricorder. </FONT>
|
|
|
1673 |
</P>
|
|
|
1674 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1675 |
</P>
|
|
|
1676 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">After
|
|
|
1677 |
the player has solved a energy rerouting riddle and Illia steps on
|
|
|
1678 |
the transporter platform, she is beamed away.</FONT></P>
|
|
|
1679 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1680 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
1681 |
whole time the 'life bar' on the left displays the distance to the
|
|
|
1682 |
second Warbird. When the bar is empty the Warbirds collide (although
|
|
|
1683 |
that is not shown, if Illia hasn't been able to escape). The
|
|
|
1684 |
collision is only hinted at by the screen going white and the player
|
|
|
1685 |
dying. If Illia manages to beam herself off board, a cinematic shows
|
|
|
1686 |
the two Warbirds colliding and disappearing in a ball of flame.</FONT></P>
|
|
|
1687 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1688 |
</P>
|
|
|
1689 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map8"></A>
|
|
|
1690 |
</P>
|
|
|
1691 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.8
|
|
|
1692 |
Map Eight</B></FONT></P>
|
|
|
1693 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1694 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1695 |
appears on Oberth 3 amid ruins. She looks around.</FONT></P>
|
|
|
1696 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1697 |
</P>
|
|
|
1698 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1699 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1700 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1701 |
<FONT FACE="Courier New">I've certainly left quite</FONT></P>
|
|
|
1702 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1703 |
<FONT FACE="Courier New">an impression here.</FONT></P>
|
|
|
1704 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1705 |
</P>
|
|
|
1706 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1707 |
<FONT FACE="Courier New">ILLIA (Narrator)</FONT></P>
|
|
|
1708 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1709 |
<FONT FACE="Courier New">It was clear to me of course,</FONT></P>
|
|
|
1710 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1711 |
<FONT FACE="Courier New">that the prisoner was being</FONT></P>
|
|
|
1712 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1713 |
<FONT FACE="Courier New">held captive in an underground</FONT></P>
|
|
|
1714 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1715 |
<FONT FACE="Courier New">facility, where the disrupters</FONT></P>
|
|
|
1716 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1717 |
<FONT FACE="Courier New">only caused mild damage. So, </FONT>
|
|
|
1718 |
</P>
|
|
|
1719 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1720 |
<FONT FACE="Courier New">unfortunately, I had to assume </FONT>
|
|
|
1721 |
</P>
|
|
|
1722 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1723 |
<FONT FACE="Courier New">that he was still alive.</FONT></P>
|
|
|
1724 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1725 |
</P>
|
|
|
1726 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1727 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1728 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1729 |
<FONT FACE="Courier New">It seems that I have no other </FONT>
|
|
|
1730 |
</P>
|
|
|
1731 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1732 |
<FONT FACE="Courier New">choice than to find an entrance </FONT>
|
|
|
1733 |
</P>
|
|
|
1734 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1735 |
<FONT FACE="Courier New">to the underground levels.</FONT></P>
|
|
|
1736 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1737 |
</P>
|
|
|
1738 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Mission
|
|
|
1739 |
Objective:</FONT></P>
|
|
|
1740 |
<P STYLE="margin-left: 1.27cm; text-indent: -0.64cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1741 |
<FONT SIZE=2><FONT FACE="Symbol">·
|
|
|
1742 |
</FONT></FONT><FONT FACE="Courier New"><FONT COLOR="#000000">Find an
|
|
|
1743 |
entrance to the remains of the outpost.</FONT></FONT></P>
|
|
|
1744 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1745 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">At
|
|
|
1746 |
first Illia doesn't encounter any enemies in the ruins, but soon
|
|
|
1747 |
Romulans show up (perhaps in environmental suits), that she has to
|
|
|
1748 |
fight against. The entrance is closed and has to be opened with a
|
|
|
1749 |
nearby button.</FONT></P>
|
|
|
1750 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1751 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map9"></A>
|
|
|
1752 |
</P>
|
|
|
1753 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.9
|
|
|
1754 |
Map Nine</B></FONT></P>
|
|
|
1755 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1756 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
| 792 |
lars |
1757 |
has entered the Romulan outpost. She is facing heavy resistance. Illia fights against different kinds of
|
| 301 |
argyle |
1758 |
Romulans.</FONT></P>
|
|
|
1759 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1760 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map10"></A>
|
|
|
1761 |
</P>
|
|
|
1762 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1763 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Having
|
|
|
1764 |
just won a particularly intense fight, Illia steps through a door and
|
|
|
1765 |
reaches a room with many holding cells that are secured by
|
|
|
1766 |
forcefields.</FONT></P>
|
|
|
1767 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1768 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1769 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1770 |
</P>
|
|
|
1771 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1772 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1773 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1774 |
<FONT FACE="Courier New">Stammheim.</FONT></P>
|
|
|
1775 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1776 |
</P>
|
|
|
1777 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Stammheim
|
|
|
1778 |
can barely talk. There is crusted blood on his face. He holds his
|
|
|
1779 |
arms protectively above his head.</FONT></P>
|
|
|
1780 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1781 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">In
|
|
|
1782 |
a terrified voice:</FONT></P>
|
|
|
1783 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1784 |
</P>
|
|
|
1785 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1786 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1787 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1788 |
<FONT FACE="Courier New">Who... who are you?</FONT></P>
|
|
|
1789 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1790 |
</P>
|
|
|
1791 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1792 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1793 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1794 |
<FONT FACE="Courier New">You know me, Stammheim. The</FONT></P>
|
|
|
1795 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1796 |
<FONT FACE="Courier New">Mission on Cardassia Prime?</FONT></P>
|
|
|
1797 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1798 |
<FONT FACE="Courier New">Doesn't that ring a bell?</FONT></P>
|
|
|
1799 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1800 |
</P>
|
|
|
1801 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1802 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1803 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1804 |
<FONT FACE="Courier New">No more questions... Please...</FONT></P>
|
|
|
1805 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1806 |
<FONT FACE="Courier New">please...</FONT></P>
|
|
|
1807 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1808 |
</P>
|
|
|
1809 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.</FONT></P>
|
|
|
1810 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1811 |
</P>
|
|
|
1812 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1813 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1814 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1815 |
<FONT FACE="Courier New">My head... He promised the pain</FONT></P>
|
|
|
1816 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1817 |
<FONT FACE="Courier New">would stop. He promised.</FONT></P>
|
|
|
1818 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1819 |
</P>
|
|
|
1820 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Whispering:</FONT></P>
|
|
|
1821 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1822 |
</P>
|
|
|
1823 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1824 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1825 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1826 |
<FONT FACE="Courier New">Please.</FONT></P>
|
|
|
1827 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1828 |
</P>
|
|
|
1829 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1830 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1831 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1832 |
<FONT FACE="Courier New">The Romulans didn't exactly handle</FONT></P>
|
|
|
1833 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1834 |
<FONT FACE="Courier New">him with kid gloves, it seems.</FONT></P>
|
|
|
1835 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1836 |
</P>
|
|
|
1837 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">She
|
|
|
1838 |
deactivates the force field.</FONT></P>
|
|
|
1839 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1840 |
</P>
|
|
|
1841 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1842 |
<FONT FACE="Courier New">ILLIA<BR>Come on, Alexander. I'll get you</FONT></P>
|
|
|
1843 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1844 |
<FONT FACE="Courier New">out of here. Try to follow me, ok?</FONT></P>
|
|
|
1845 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1846 |
<FONT FACE="Courier New">Do you understand?</FONT></P>
|
|
|
1847 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1848 |
</P>
|
|
|
1849 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.</FONT></P>
|
|
|
1850 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1851 |
</P>
|
|
|
1852 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1853 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1854 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1855 |
<FONT FACE="Courier New">Follow... Yes...</FONT></P>
|
|
|
1856 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1857 |
</P>
|
|
|
1858 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Voice
|
|
|
1859 |
fades:</FONT></P>
|
|
|
1860 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1861 |
</P>
|
|
|
1862 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1863 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1864 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1865 |
<FONT FACE="Courier New">Follow...</FONT></P>
|
|
|
1866 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1867 |
</P>
|
|
|
1868 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1869 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1870 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">After
|
|
|
1871 |
some time during which Stammheim follows Illia, they reach
|
|
|
1872 |
Stammheim's Shuttle (Idryll shuttle or other, no Starfleet one
|
|
|
1873 |
though).</FONT></P>
|
|
|
1874 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1875 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1876 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1877 |
</P>
|
|
|
1878 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1879 |
walks into the shuttle, Stammheim follows. She points to a chair.</FONT></P>
|
|
|
1880 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1881 |
</P>
|
|
|
1882 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1883 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1884 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1885 |
<FONT FACE="Courier New">Sit down, Alexander. I have to</FONT></P>
|
|
|
1886 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1887 |
<FONT FACE="Courier New">open the shuttle bay doors. </FONT>
|
|
|
1888 |
</P>
|
|
|
1889 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1890 |
</P>
|
|
|
1891 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1892 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1893 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1894 |
<FONT FACE="Courier New">My head...</FONT></P>
|
|
|
1895 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1896 |
</P>
|
|
|
1897 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">When
|
|
|
1898 |
Illia leaves the shuttle:</FONT></P>
|
|
|
1899 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1900 |
</P>
|
|
|
1901 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1902 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1903 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1904 |
<FONT FACE="Courier New">Deja-vu...</FONT></P>
|
|
|
1905 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1906 |
</P>
|
|
|
1907 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">More
|
|
|
1908 |
Romulans enter the room either by stepping through doors and beaming
|
|
|
1909 |
in.</FONT></P>
|
|
|
1910 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1911 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">/CUTSCENE</FONT></P>
|
|
|
1912 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1913 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1914 |
succeeds in reaching the button for the doors of the shuttle bay. The
|
|
|
1915 |
doors are located in the ceiling (the shuttles have to fly upwards to
|
|
|
1916 |
get out of the bay) She pushes the button.</FONT></P>
|
|
|
1917 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1918 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">CUTSCENE</FONT></P>
|
|
|
1919 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1920 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Doors
|
|
|
1921 |
open.</FONT></P>
|
|
|
1922 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1923 |
</P>
|
|
|
1924 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1925 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1926 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1927 |
<FONT FACE="Courier New">Let's go home.</FONT></P>
|
|
|
1928 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1929 |
</P>
|
|
|
1930 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Suddenly
|
|
|
1931 |
the shuttle starts to rise and flies away through the open doors.</FONT></P>
|
|
|
1932 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1933 |
</P>
|
|
|
1934 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1935 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
1936 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1937 |
<FONT FACE="Courier New">No.</FONT></P>
|
|
|
1938 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1939 |
</P>
|
|
|
1940 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1941 |
<FONT FACE="Courier New">On the screen besides the console Illia is
|
|
|
1942 |
standing next to, Stammheim appears.</FONT></P>
|
|
|
1943 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1944 |
</P>
|
|
|
1945 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1946 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
1947 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1948 |
<FONT FACE="Courier New">I'm sorry, Illia. I really am.</FONT></P>
|
|
|
1949 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1950 |
<FONT FACE="Courier New">The danger simply was too great</FONT></P>
|
|
|
1951 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1952 |
<FONT FACE="Courier New">that you'd decide to kill me.</FONT></P>
|
|
|
1953 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1954 |
<FONT FACE="Courier New">So I played on your compassion. </FONT>
|
|
|
1955 |
</P>
|
|
|
1956 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1957 |
<FONT FACE="Courier New">Since Hetlek we know that it's </FONT>
|
|
|
1958 |
</P>
|
|
|
1959 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1960 |
<FONT FACE="Courier New">one of your few weaknesses. </FONT>
|
|
|
1961 |
</P>
|
|
|
1962 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1963 |
<FONT FACE="Courier New">Give my regards to Cmdr. Tebok.</FONT></P>
|
|
|
1964 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1965 |
<FONT FACE="Courier New">You'll spend much time with him</FONT></P>
|
|
|
1966 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1967 |
<FONT FACE="Courier New">in the immediate future.</FONT></P>
|
|
|
1968 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1969 |
</P>
|
|
|
1970 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Stammheim
|
|
|
1971 |
grins and disappears from the screen.</FONT></P>
|
|
|
1972 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1973 |
</P>
|
|
|
1974 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1975 |
<FONT FACE="Courier New">ILLIA </FONT>
|
|
|
1976 |
</P>
|
|
|
1977 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1978 |
<FONT FACE="Courier New">Bastard!</FONT></P>
|
|
|
1979 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
1980 |
</P>
|
|
|
1981 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Behind
|
|
|
1982 |
Illia several Romulans are approaching with drawn weapons. They stand
|
|
|
1983 |
in a half circle. Fade out. </FONT>
|
|
|
1984 |
</P>
|
|
|
1985 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1986 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
| 792 |
lars |
1987 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"><A NAME="map10"></A>
|
| 301 |
argyle |
1988 |
</P>
|
| 792 |
lars |
1989 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New"><B>2.2.10
|
|
|
1990 |
Map Ten</B></FONT></P>
|
| 301 |
argyle |
1991 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1992 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
1993 |
is being lead into a room. Commander Tebok is waiting for her there.</FONT></P>
|
|
|
1994 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
1995 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1996 |
<FONT FACE="Courier New">COMMANDER TEBOK</FONT></P>
|
|
|
1997 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
1998 |
<FONT FACE="Courier New">Please, sit down.</FONT></P>
|
|
|
1999 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2000 |
</P>
|
|
|
2001 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
2002 |
does so. It becomes clear that the wall seen behind her in the
|
|
|
2003 |
narrator parts belonged to the interrogation cell she now sits in (To
|
|
|
2004 |
put it differently: The background story is set in this cell)</FONT></P>
|
|
|
2005 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2006 |
</P>
|
|
|
2007 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2008 |
<FONT FACE="Courier New">COMMANDER TEBOK</FONT></P>
|
|
|
2009 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2010 |
<FONT FACE="Courier New">Well, perhaps you could</FONT></P>
|
|
|
2011 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2012 |
<FONT FACE="Courier New">start by telling me how you</FONT></P>
|
|
|
2013 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2014 |
<FONT FACE="Courier New">came to be here on this planet.</FONT></P>
|
|
|
2015 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2016 |
</P>
|
|
|
2017 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2018 |
<FONT FACE="Courier New">ILLIA </FONT>
|
|
|
2019 |
</P>
|
|
|
2020 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2021 |
<FONT FACE="Courier New">With pleasure. It's quite an</FONT></P>
|
|
|
2022 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2023 |
<FONT FACE="Courier New">interesting story really.</FONT></P>
|
|
|
2024 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2025 |
</P>
|
|
|
2026 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Pause.</FONT></P>
|
|
|
2027 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2028 |
</P>
|
|
|
2029 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2030 |
<FONT FACE="Courier New">ILLIA </FONT>
|
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|
2031 |
</P>
|
|
|
2032 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2033 |
<FONT FACE="Courier New">Everything began quite peacefully...</FONT></P>
|
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|
2034 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2035 |
</P>
|
|
|
2036 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Fade
|
|
|
2037 |
out, fade in.</FONT></P>
|
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|
2038 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2039 |
</P>
|
|
|
2040 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2041 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
2042 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2043 |
<FONT FACE="Courier New">And that's how I got into this</FONT></P>
|
|
|
2044 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2045 |
<FONT FACE="Courier New">unfortunate situation.</FONT></P>
|
|
|
2046 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2047 |
</P>
|
|
|
2048 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2049 |
<FONT FACE="Courier New">COMMANDER TEBOK</FONT></P>
|
|
|
2050 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2051 |
<FONT FACE="Courier New">Thank you for your cooperation. </FONT>
|
|
|
2052 |
</P>
|
|
|
2053 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2054 |
<FONT FACE="Courier New">Alas, the fact remains that you </FONT>
|
|
|
2055 |
</P>
|
|
|
2056 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2057 |
<FONT FACE="Courier New">are responsible for the destruction </FONT>
|
|
|
2058 |
</P>
|
|
|
2059 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2060 |
<FONT FACE="Courier New">of two Warbirds and for severely </FONT>
|
|
|
2061 |
</P>
|
|
|
2062 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2063 |
<FONT FACE="Courier New">damaging an outpost of the </FONT>
|
|
|
2064 |
</P>
|
|
|
2065 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2066 |
<FONT FACE="Courier New">Tal'Shiar. Your execution is </FONT>
|
|
|
2067 |
</P>
|
|
|
2068 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2069 |
<FONT FACE="Courier New">inevitable. If your cooperation </FONT>
|
|
|
2070 |
</P>
|
|
|
2071 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2072 |
<FONT FACE="Courier New">remains as good however, I will </FONT>
|
|
|
2073 |
</P>
|
|
|
2074 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2075 |
<FONT FACE="Courier New">make sure that it will be as </FONT>
|
|
|
2076 |
</P>
|
|
|
2077 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2078 |
<FONT FACE="Courier New">pain-free as possible. If you would </FONT>
|
|
|
2079 |
</P>
|
|
|
2080 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2081 |
<FONT FACE="Courier New">be so kind as to follow the guard. </FONT>
|
|
|
2082 |
</P>
|
|
|
2083 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2084 |
<FONT FACE="Courier New">We'll see each other again tomorrow </FONT>
|
|
|
2085 |
</P>
|
|
|
2086 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2087 |
<FONT FACE="Courier New">for some more questions.</FONT></P>
|
|
|
2088 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2089 |
</P>
|
|
|
2090 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Illia
|
|
|
2091 |
is being escorted along a corridor. She walks past the camera, slow
|
|
|
2092 |
fade out. </FONT>
|
|
|
2093 |
</P>
|
|
|
2094 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
2095 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Credits.</FONT></P>
|
|
|
2096 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
2097 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Text:
|
|
|
2098 |
Three Months later. Risa.</FONT></P>
|
|
|
2099 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
2100 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Alexander
|
|
|
2101 |
Stammheim enters his shuttle. Stevens appears on the screen.</FONT></P>
|
|
|
2102 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2103 |
</P>
|
|
|
2104 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2105 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
2106 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2107 |
<FONT FACE="Courier New">I hope you have enjoyed your </FONT>
|
|
|
2108 |
</P>
|
|
|
2109 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2110 |
<FONT FACE="Courier New">stay on Risa.</FONT></P>
|
|
|
2111 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2112 |
</P>
|
|
|
2113 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2114 |
<FONT FACE="Courier New">STAMMHEIM</FONT></P>
|
|
|
2115 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2116 |
<FONT FACE="Courier New">As a matter of fact, I'd prefer</FONT></P>
|
|
|
2117 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2118 |
<FONT FACE="Courier New">staying here forever.</FONT></P>
|
|
|
2119 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2120 |
</P>
|
|
|
2121 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Stevens
|
|
|
2122 |
smiles.</FONT></P>
|
|
|
2123 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2124 |
</P>
|
|
|
2125 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2126 |
<FONT FACE="Courier New">STEVENS</FONT></P>
|
|
|
2127 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2128 |
<FONT FACE="Courier New">Don't be silly. I know you, Alex.</FONT></P>
|
|
|
2129 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2130 |
<FONT FACE="Courier New">You can hardly wait to get your </FONT>
|
|
|
2131 |
</P>
|
|
|
2132 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2133 |
<FONT FACE="Courier New">next mission. We'll see each other</FONT></P>
|
|
|
2134 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2135 |
<FONT FACE="Courier New">at the rendezvous point. </FONT>
|
|
|
2136 |
</P>
|
|
|
2137 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2138 |
</P>
|
|
|
2139 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">The
|
|
|
2140 |
shuttle starts, flies over a tropical landscape and suddenly
|
|
|
2141 |
explodes. The camera continues being pointed skyward a few seconds
|
|
|
2142 |
after the last debris has dropped to the ground. Then Illia's eyes
|
|
|
2143 |
are shown up close.</FONT></P>
|
|
|
2144 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2145 |
</P>
|
|
|
2146 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2147 |
<FONT FACE="Courier New">ILLIA</FONT></P>
|
|
|
2148 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.1cm">
|
|
|
2149 |
<FONT FACE="Courier New">What a beautiful sky.</FONT></P>
|
|
|
2150 |
<P STYLE="margin-left: 4cm; margin-top: 0.49cm; margin-bottom: 0.42cm">
|
|
|
2151 |
</P>
|
|
|
2152 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Black
|
|
|
2153 |
screen. </FONT>
|
|
|
2154 |
</P>
|
|
|
2155 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.42cm"> </P>
|
|
|
2156 |
<P STYLE="margin-top: 0.49cm; margin-bottom: 0.1cm"><FONT FACE="Courier New">Text:
|
|
|
2157 |
The end</FONT></P>
|
|
|
2158 |
</BODY>
|
| 385 |
lars |
2159 |
</HTML>
|